Bob Dylan and JFK - November 22, 1963 - November 22, 2014
Dylan at the piano - he didn't pick up the guitar
Dylan at the piano - he didn't pick up the guitar
The last time Bob Dylan played the Jersey Shore he
went for a walk and was stopped by young, rookie female cop who thought him a
suspicious character walking aimlessly about a residential neighborhood. The girl
just didn’t recognize Bob Dylan, even when he introduced himself.
Those who were there will flashback to October 25,
1963 - Philadelphia Town Hall – the Scottish Rite Cathedral at 150 North Broad at
Race Street, a beautiful building that was leveled in 1983. The same setting
was the preferred recording space for Eugene Ormandy and the Philadelphia
Orchestra after the Academy of Music was remodeled in 1950. The Academy
acoustics were fine for the live performances, but recoded flat and served Dylan
well when he performed there.
As usual, Dylan took a walk around the Academy of
Music neighborhood and found McGlinchy’s Bar behind the Academy, where he had a
beer and was recognized by some who remembered him from when he performed in
1963. They recall a younger, wilder Dylan who stopped by Dirty Franks on Pine
Street, where he was asked to leave for being “a drunken asshole.”
For some reason it is somehow comforting to know
that the conscience of a generation, the Godfather of folk and protest songs,
with a doctorate from Princeton and having been awarded the Tom Paine and
presidential Freedom awards, the heir to Whitman and Ginsberg as the poet and
songwriter of our age, can also be a drunken asshole.
Dylan was much more reserved this time around.
Dylan’s current major theater tour coincides with
the release of a new, restored digital version of the legendary Basement Tapes
as well as the release of a new version of some of the Basement Tape songs
covered by new artists including T. Bone Burnett, Elvis Costello and Marcus Mulford
of the Mulford Family.
While the concerts certainly attracted the aging hippie
crowd - the over-under was fifty five, the Basement Tapes recordings should be
of interest to the younger crowd, not only because of their role in the history
of the music, but also the continued interest by the new artists in the nearly
half-century old Big Pink Basement tape recordings.
It may be technically true that Dylan hasn’t
performed in a center city Philadelphia theater since 1963, but he has
performed on his “never ending tour” at the Tower in Upper Darby in West Philly
in 1994 and at the Electric Factory in Society Hill a few years ago, but it has
been fifty years since Dylan made his mark as a major theater attraction in
both New York and Philadelphia.
It was in 1963 when Dylan performed with Joan Baiz
on the same stage as Martin Luther King, Jr. during the march on Washington,
released his celebrated second “Freewheelen’” album for Columbia, received an
honorary doctorate degree from Princeton, performed at Carnegie Hall and
received the Tom Paine Award.
Then everything started going wrong – Newsweek
called him a fake for trying to manipulate the media, they booed him at the Tom
Paine Awards and he began to break up with his girlfriend Suzie Rotolo – who is
seen walking down McDougle Street with Dylan arm in arm on the album cover.
What happened between his celebrated theater shows
in October and being booed while receiving the Tom Paine Award? John Kennedy
was killed, an event that influenced Dylan and his entire generation, and still
continues to haunt us today.
And so on November 22 it overshadowed Dylan’s dark
theatrical performance as much as the echo of the basement tapes.
Dylan’s principled interest in social issues and
causes branded him political, and one of his first benefit concerts was for the
civil rights Freedom Riders, but he detested being called “the conscience of
his generation,” and refused to support other causes though he did perform at
Live Aid, and much to the chagrin of Bog Geldorf, sang a song about a farmer
and called for the struggling American farmers who feed the world, a remark
that sparked the founding of Farm Aid, which he also supported.
But he once said he didn’t vote in the 1960 election
because he didn’t recognize any candidates who looked and thought like him. Of
John Kennedy he said he was a fake and pretender.
But later, Dylan told Kurt Loder in a Rolling Stone
interview that Martin Luther King and the Kennedy brothers are spiritual icons
who planted seeds that are still growing today. And in his autobiographical Chronicals Dylan recounts how his mother
told him she saw JFK when he visited his hometown of Hibbing, Minnissotta,
which led him to say that he would have voted for JFK for just visiting his
hometown.
Dylan’s mother and father Mr. and Mrs. Zimmerman,were
in the audience when he performed at Carnegie Hall. Dylan had legally changed
his name from Robert A. Zimmerman to Bob Dylan in 1962 and arranged for his
parents to be in the audience for the Carnegie Hall show, a big step for him to
go from playing coffee houses, cafes and nightclubs to performing solo at Carnegie
Hall.
The night before – October 24, 1963, Dylan performed
Philadelphia’s Town Hall.
A few days earlier he was interviewed for Newsweek
and they branded Dylan a fake pretender who manipulated the media and maybe
didn’t actually write the hit song, “Blowin’ in the Wind.” Instead, Newsweek
reported, the hit song that was fanning revolution was instead written by
Millburn, New Jersey high school student Lorrie Wyatt,” who fellow students
claimed sang the song before Dylan, and Newsweek printed the false rumor even
as Wyatt denied it.
In the two months between Town Hall and Carnegie
Hall and the Tom Paine Award, JFK was killed, and the assassination was still
on his mind and he talked about it when he accepted the award.
As he put it: “So, I accept this reward - not
reward, (Laughter) award in behalf of Phillip Luce who led the group to Cuba
which all people should go down to Cuba. I don't see why anybody can't go
to Cuba. I don't see what's going to hurt by going any place. I don't know
what's going to hurt anybody's eyes to see anything. On the other hand, Phillip
is a friend of mine who went to Cuba.”
Dylan said: “I'll stand up and to get
uncompromisable about it, which I have to be to be honest, I just got to be, as
I got to admit that the man who shot President Kennedy, Lee Oswald, I
don't know exactly where —what he thought he was doing, but I got to admit
honestly that I too - I saw some of myself in him. I don't think it would have
gone - I don't think it could go that far. But I got to stand up and say I saw
things that he felt, in me - not to go that far and shoot. (Boos and hisses)
You can boo but booing's got nothing to do with it. It's a - I just a - I've
got to tell you, man, it's Bill of Rights is free speech and I just want to
admit that I accept this Tom Paine Award in behalf of James Forman of the
Students Non-Violent Coordinating Committee and on behalf of the people who went
to Cuba.” (Boos and Applause).
Although Dylan took exception to being called the
social conscience of a generation, he did accept the Princeton doctorate and
took the Tom Paine Award in honor of those American students who disregarded the
tourist embargo and illegally traveled to Cuba. Dylan had met them through his
girl, Suzie Rotollo,
It wasn’t honoring the students who went to Cuba
that bothered the audience of 1500 well heeled liberals whose donations kept
the non-profit organization afloat, it was Dylan’s remark that he could somewhat sympathize with Oswald – the
man accused of killing JFK. Oswald himself had tried to get a visa to Cuba and
like Tom Paine, he handed out leaflets in New Orleans and got into a scuffle
with some anti-Castro Cubans.
But the audience wasn’t buying that speil, and was
ushered off stage – getting the hook, and the incident inspired him to write a
poem in which he tried to explain himself.
From the toast of the town to being shunned by
liberals, Dylan decided to hit the road, literally, and drove cross country to
perform few college dates and visit a few new places, including New Orleans
French Quarter, Oswald’s old neighborhood, and Dealey Plaza in Dallas where
Kennedy was killed.
In Dallas, as did the Beatles and David
Crosby, Dylan went to Dealey Plaza to see where President Kennedy was
killed. The Beatles ducked in the back of their limo as they drove past the Texas School Book Depository Building and
Grassy Knoll and then retired to their rooms at the Dallas Cabana Hotel, where
some of the witnesses and suspects had famously stayed on the weekend of the
assassination.
When Dylan was looking
for Dealey Plaza and the first few Dallas pedestrians
couldn’t direct him to the spot, Dylan was perplexed, and then finally found a
pedestrian who directed them to the site and said, “You mean where they killed
that son-of-a-bitch,"
So when Dylan performed
at the Academy of Music on November 22, 2014 – the fifty first anniversary of
the assassination, the event hovered in the background like a dark cloud over
the dark stage on which he performed.